No, that headline above isn’t desperate clickbait. Baby Sinclair of Dinosaurs fame made his debut in Walt Disney World’s Osborne Family Spectacle of Dancing Lights…a year ago. Since we only cover the hard-hitting news and have the utmost journalistic integrity here at Disney Tourist Blog, a team of drunken monkeys has been working for like 10 minutes on this post we’ve been carefully researching this critical development since Baby Sinclair first appeared in order to bring you our thorough analysis, and have finally completed this arduous task. We present the fruits of our labor in this brilliant essay about Baby Sinclair in the Osborne Lights.
At this point, some of you are probably muttering, “who is Baby Sinclair, and why should I care?” First, shame on you. Second, Baby Sinclair is the voice of a generation: my generation. Before we get to his significance in the Osborne Family Spectacle of Dancing Lights at Walt Disney World, a bit of background is probably in order so you can understand just how important this is, and what it means for the future of Disney’s Hollywood Studios.
Dinosaurs is a sitcom that ran in the early 1990s from Jim Henson Productions–the first major project after the death of Jim Henson–that lasted only four seasons. It features a family of dinosaur Muppet-esque characters in an edgy family sitcom. For youngsters like me, the show was all about Baby Sinclair. In a retrospective on the show, Vulture described him succinctly as the “silly TV candy meant to lure younger viewers into what is otherwise a family sitcom with a sneakily serious agenda.”
Baby Sinclair was something special for my generation. A hero. Not the hero we deserved, but the hero we needed. Perhaps “hero” is the wrong word, but he was a dinosaur and he was awesome, so it seems about right. If anything, he seemed like the character Generation Me deserved: rude, narcissistic, and demanding that his parents cater to his every whim. These lovely attributes became hallmarks of my generation, and there’s a distinct possibility that Baby Sinclair was partially the catalyst.
There’s also a good chance that he was written to have dual meanings: one as the “candy” that would draw in younger viewers with his catchphrases and adorable obnoxiousness, the other as commentary on the same young viewers who loved him. After all, once you got past the mind-blowing awesomeness of the fact that you were watching the actual, recreated social dynamic of dinosaurs in their natural habitats as they actually lived millions of years ago (source: science), Dinosaurs was, at its core, social commentary. (more…)