Guide to Fantasmic at Disneyland: Best Viewing & Seating Spots
In this guide, we’ll offer tips & tricks watching Fantasmic at Disneyland, best & worst views, sitting & standing locations to see the nighttime spectacular, whether dining packages are worth the money, and suggestions for taking better photos of this impressive Disney nighttime spectacular. (Updated April 27, 2023.)
For those unfamiliar with it, Fantasmic is a nighttime spectacular performed most nights on the Rivers of America at Disneyland. A variation of the same show–albeit with different and some newer scenes–is also presented in Hollywood Studios at Walt Disney World. It was previously shown at Tokyo DisneySea, before being replaced by Believe! Sea of Dreams.
Fantasmic is an evening extravaganza combining various elements–fire, water projections, lasers, and fireworks–for a show that is loosely about the power of imagination. Disney Villains turn Mickey’s dream into a nightmare, and the little mouse uses the power of his imagination to overcome them! The elaborate production also features 50 live performers, massive sets, and rousing music to produce a larger-than-life show.
The premise of Fantasmic is that Mickey Mouse is fast asleep, dreaming of being the Sorcerer’s Apprentice. This sets the stage for a series of scenes from other films, some of which Mickey Mouse appears inside. He conducts montage moments from Fantasia, Aladdin, Lion King, Tangled, Beauty and the Beast, Little Mermaid, Jungle Book, Winnie the Pooh, and many other movies.
The most memorable moments occur with the arrival of pink elephants on parade, swashbuckling pirates doing battle, princesses and princes dancing, and monkeys doing monkey things. When suddenly, Mickey Mouse is pulled into the Magic Mirror, his dream takes a dark turn and becomes a “nightmare fantasmic.” The Evil Queen from Snow White conjures up some of Disney’s most dastardly villains—including Maleficent as a 45-foot, fire-breathing dragon! Mickey must use the power of his imagination to vanquish his foes—and save the day! Speaking of Maleficent, that brings us to our 2023 update…
April 27, 2023 Update: During the second performance of the nighttime spectacular last Saturday, the Maleficent dragon caught fire during the climactic scene of Fantasmic at Disneyland. The fire erupted as Mickey Mouse began to shoot sparks at the giant dragon’s head to defeat it in the storyline of the show. The Anaheim Fire Department responded to the scene, with all Cast Members and guests safely evacuated the area.
In the days since, Disneyland has been scrambling to fix damage, with scaffolding erected on the Tom Sawyer Island stage. Despite this, Disneyland has removed Fantasmic from the schedule until May 19, 2023 and released the following statement: “We know our guests love and miss Fantasmic, and Disneyland Resort teams are working hard to assess when we can bring back an adjusted show as quickly and safely as possible.”
It’s important to stress that Fantasmic returning on May 19, 2023 is entirely tentative at this point. Fantasmic could return earlier or later depending upon how the safety inspections goes and how quickly interim replacements for the damaged showpieces can be prepared. Judging by the nature and extent of the fire damage, it’s likely that the Murphy Audio Animatronics figure of Maleficent will be missing for far longer.
At the very least, the Maleficent dragon scene is likely going to be presented in b-mode for the next several months. Whether that ends up being a mist screen (likely at first) or a “dragon on a stick” (possible within a few weeks) remains to be seen. However, it could still take months–if not until 2024–before an advanced, fire-breathing Maleficent Audio Animatronics figure returns to Fantasmic at Disneyland.
In the meantime, we would highly recommend making a point of seeing the new Wondrous Journeys fireworks from the front of the park if at all possible. See our Disneyland Fireworks Viewing Guide for the best and worst locations–the recommendations here simply cover the easiest way for seeing both Fantasmic and the fireworks in the same night, but Wondrous Journeys is such an excellent nighttime spectacular that it deserves to be seen up close from its intended viewing angle. This new fireworks show is on par with Happily Ever After, arguably the best fireworks show ever to be done by Disney.
Upon returning, this viewing guide will still apply to Fantasmic. Although Mickey Mouse defeating Maleficent is the climactic scene and the highlight of the nighttime spectacular, Fantasmic as a whole is still amazing, and a 10/10 production even with that scene modified or presented in its b-mode.
We are big fans of Fantasmic, and have seen both the original and “Fantasmic 2.0” version dozens and dozens of times at Disneyland. (Far fewer at Walt Disney World.) While we love World of Color and enjoy Main Street Electrical Parade, the heart and soul of Disneyland’s nighttime entertainment is Fantasmic. If you’re a Disneyland first-timer or have only watched it at Disney’s Hollywood Studios, Fantasmic at Disneyland is a true treat and an absolute must-see.
The seminal Disneyland version of Fantasmic is going to be very popular for the foreseeable future, and it’ll play to a packed house nightly–even with multiple nightly showings. You might want to get a dining package for Fantasmic if you plan on seeing the show anytime soon. With Disneyland’s decision to forgo the virtual queue for Fantasmic, and it not being available as a Genie+ Lightning Lane selection, the dining packages are the only way to guarantee a good view without camping out for hours. We’ll cover that and more in this post.
Since this is the first article dedicated to Fantasmic on this blog, even though it has nothing to do with viewing or photographing the show, I’d be remiss if I didn’t share a fun tidbit that I assume other Disney fans will find interesting. Up until its late stages of development, Fantasmic was known as Imagination!
The name was ultimately changed because of concerns with being able to trademark the generic Imagination name, whereas Fantasmic (a made up word), could be easily trademarked. The Imagination! name got so far along in the process that Disneyland even made up marketing posters with Imagination! as its name. I like the name Fantasmic, but I’ll admit that I get chills when I pop in the Fantasmic CD and the opening line “imag-in-ation…imag-in-ation…” plays.
Okay, on with the more relevant information for successfully viewing and photographing Fantasmic! We’ll start with simply seeing the nighttime spectacular along the Rivers of America at Disneyland…
Best Viewing Spots
Disneyland’s seating can be tricky. Unlike its counterpart at Walt Disney World, Fantasmic does not have a purpose-built outdoor amphitheater. When we say that it’s performed “along the Rivers of America,” we mean it. Its seating area is literally just a multi-level walkway and a promenade along the waterfront during the day.
That Fantasmic comes alive essentially out of nowhere is part of its charm. It also makes figuring out where to watch–or even where to wait to watch–a challenge for Disneyland first-timers.
During most busier dates, Fantasmic is performed twice nightly, at 9 pm and 10:30 pm. Typically, the first showing of Fantasmic will wrap up, and then the Disneyland fireworks will be presented almost immediately thereafter. The second performance of Fantasmic will occur about 30 minutes after that. If you’re planning on watching the first Fantasmic, stay in your spot after it ends to see the fireworks–there are mist screens with projections on the water and most of the pyro is visible. (You won’t have time to get a spot on Main Street after seeing Fantasmic.)
Note that these times are subject to change. You should check the entertainment schedule in the Disneyland app for the specific show times on the days that you’re in the park.
Currently, viewing protocol for Fantasmic is not similar to World of Color. When the latter returned to Disney California Adventure, it began using a virtual queue as a replacement for free FastPass or paid MaxPass that used to be offered. Our assumption was that Fantasmic would follow suit and offer Genie+ Lightning Lanes, but that has not happened as of 2023.
Instead, Fantasmic’s main seating area–on the ground in the lowest tier along the Rivers of America–is reserved for dining packages, and what’s left over is filled in by standby guests. However, there are no guarantees for standby and the number of dining packages sold can fluctuate each day.
In addition to that, there are standing areas behind and around the seating areas. These are scattered all over the place, with locations including the bridge over Pirates of the Caribbean and sections of walkway near River Belle Terrace and Haunted Mansion. These are not in the main seating area, and aside from the Pirates of the Caribbean viewpoint, are typically off-center views.
It’s very difficult to offer tips & tricks right now for any of these locations, as our recent experiences with Fantasmic has been nothing short of chaotic. I cannot stress this enough, and it’s not hyperbole. Multiple fights have broken out, and it’s easy to see why–even trying to navigate through Frontierland and New Orleans Square is a challenge.
On top of that, the viewing areas are all packed, and there’s not much consistency as to how or when they fill up. There are ropes that form cattle corrals for guests to watch Fantasmic, but if you’re a first-timer, it’s difficult to make sense of what’s going on. In addition to this, protocol and procedures are still “evolving” as Disneyland Cast Members try their best to manage crowds. With that in mind, I’ll offer a few pointers and circle back to this section in a few weeks with clearer viewing strategy…
My first piece of advice would be to see the second showing of Fantasmic, as it’s significantly less crowded and no one is camping out for it hours in advance since the first performance ends roughly an hour before the second starts. The second point is really the key, as some locals stake out Fantasmic spots in the late afternoon for the first performance of Fantasmic.
For the second performance you’ll want to watch the Disneyland fireworks from the border between Frontierland and New Orleans Square, in the area between River Belle Terrace and Pirates of the Caribbean. It’s pretty easy to sneak in and grab a waterfront spot during the mass exodus after the first Fantasmic–and you should be able to stay there for the show. (Just be careful not to inadvertently enter the dining package area to the left of the general public area!)
At this point, that’s the best recommendation we have for watching Fantasmic. If you’re willing to gamble, another option is waiting over by Harbour Galley (in front of Haunted Mansion) for last-minute seating in the reserved seating area for dining packages. If this section isn’t full, standby guests are allowed to fill-in a few minutes before Fantasmic starts. (No guarantees on this, though.)
Worst views are anything with an obstructed view. This might seem obvious, but it’s worth reiterating that Fantasmic does not have a purpose-built venue along the Rivers of America. This is just the normal waterfront, and there’s a lot of stuff in the way. The easiest way to determine whether a view is going to be good or bad, is to stand there and see how clearly you can see the main stage on Tom Sawyer Island.
While the main building there is key, there are multiple levels and props on the stage, some of which block Mickey Mouse and other characters if you’re standing at a harsh angle on the far sides along the Rivers of America. In front of Haunted Mansion or Golden Horseshoe qualify as locations that are less than ideal, and the same goes for the Harbour Galley and River Belle Terrace seating areas. The latter is now sold as a premium dining package that costs more than the normal–and superior–dining packages. Unless you absolutely need a chair, you should opt for something else.
Alternatively, you can do a Fantasmic Dinner Package. With this, you’re paying a premium to dine at Hungry Bear Restaurant, River Belle Terrace, or Blue Bayou in a bundle that includes a ticket for reserved seating. The best seating location is for Blue Bayou, with Hungry Bear and River Belle Terrace flanking the dead-center seating of Blue Bayou.
Even though it’s the priciest option, Blue Bayou is the dining package we recommend for tourists. If you’re going to do the Fantasmic Dining Package, you might as well splurge for a meal and dining experience that are actually good. Blue Bayou and Fantasmic are both quintessential Disneyland experiences, and this is a great way to do both.
See our River Belle Terrace Fantasmic Dining Package Review for our past experience with that option. We just did the Hungry Bear On-the-Go Fantasmic Dining Package and will be reviewing that very soon. Both are great options at different price points–the viewing location for River Belle Terrace is definitely the better of the two.
If you do these dining packages, you’ll either want to get a front row spot and look through the rail or sit a bit back from the front. Second “row” (air quotes because it’s all very informal) in this seating area isn’t great because the hand rail along the waterfront will effectively block part of your view. There’s absolutely nothing wrong with being in the third or fourth rows of the seating area, as it slopes upwards away from the water. (As far as the seating area goes, I think front or back is best.)
My favorite spot for viewing Fantasmic at Disneyland is directly in front of the show control area at the back of the seated area. To give some reference, this is directly in front of Cafe Orleans. The Pirates of the Caribbean bridge is another good standing spot, too.
Disneyland claims that any view of Fantasmic is a good one, but that’s not entirely true. While the show has multiple mist screens to provide 180º of “good” views, there’s only one main stage. This means that views of Mickey Mouse, the dragon, and anything else that takes place are best from the center of the seating area.
In reality, you’re going to have little choice over your viewing location unless you’re visiting during the off-season, once crowds die down. The good news is that most spots in the seating area offer a great view. It’s a dynamic show and the seating area is intimate, so don’t fret over where you’re sitting.
Fantasmic Photography Tips
Fantasmic can be a challenge to photograph due to the low light and moving elements, coupled with flashes of bright effects. For point and shoot users or DSLR owners without much technical knowledge, my best recommendation is to put your camera in “sports” mode. There is a lot of fast action in Fantasmic, and this will keep your shutter speed high and prevent you from having blurry photos.
However, it will also result in a lot of noise and dark photos for much of the show. I would probably only focus on brightly lit scenes (such as when the dragon appears), as you are going to end up with a lot of garbage shots. Remember, this is an imperfect solution to a complex show to photograph.
If you are comfortable with your cameras settings (or willing to learn), you have better options. If you don’t have basic technical understanding of the elements of exposure (shutter speed, aperture, and ISO), I highly recommend reading Understanding Exposure by Bryan Peterson before reading any further trying to take better photos. If the paragraphs that follow don’t make sense to you, start with that (and other photography books) and then come back.
In terms of gear, you’ll want to use the longest zoom you have. For me, this is a Nikon 70-200mm f/2.8 VR II. The significance of good gear for photographing Fantasmic (or a really close viewing spot) cannot be understated. You’ll want a zoom lens that is also fast.
You do not need a tripod for Fantasmic. You don’t even need a monopod. Your shutter speed will need to be relatively fast to freeze the action in the show. Remember, a tripod only eliminates camera shake induced by the photographer…it doesn’t freeze the things you’re photographing!
Additionally, use the metering mode on your camera that takes the center-average of the frame, rather the whole scene. Since you’re photographing characters and they’ll have spotlights on them, you want to meter off of these characters. Do not average that metering with the dark areas behind them.
If you stay in the default metering mode, prepare for blown out characters. I usually take this a step further by also dialing in -1 as my exposure compensation. It’s easy to brighten dark spots than to recover blown highlights. You’ll also want to adjust your focusing mode to ensure that you’re continuously focusing. Again, moving characters, so you want to be tracking focus on those movements.
As for exposure settings, I like to go with aperture priority with a wide open aperture (f/2.8 on my lens), with auto ISO, setting a base, and a minimum shutter speed. Reasonable minds may vary on the use of aperture priority mode, and not every camera has as solid of auto ISO options as Nikon DSLRs, but I think it’s the best option.
For minimum and maximum ISOs, go with the minimums and maximums your camera allows. I’ll explain why later. A lot of the activity in Fantasmic happens fast, so I recommend setting a minimum shutter speed of 1/200th of a second (sometimes I go slightly faster, sometimes slower). You still might get some blur with this, but you will get a lot of sharp shots, and this will prevent you from constantly maxing out your ISO and ending up with too much noise in your photos.
The reason for these settings instead of, say, full manual mode or shutter priority, which might seem like the intuitive options is simple: the Maleficent Dragon Scene. I find this to be far and away the best scene in Fantasmic for photos. This is especially true in Disneyland, where Murphy the Dragon is truly a sight to behold.
This scene in all versions is also much brighter than most of the rest of the show (thanks to fire) and its intensity changes during the course of the scene. If you use manual mode, you’ll blow shots in this scene unless you’re really quick with settings.
Shutter priority is better than manual mode, but it doesn’t allow for the dynamic auto ISO settings, meaning you have to preset your ISO, which I prefer not to do. For the dragon scene in particular, you’ll either have to change your ISO setting you there’s a chance you’ll inadvertently have your ISO too high, and have noise when no noise was “necessary.”
This scene can be difficult to photograph not just because of the settings required to tackle it, but because smoke and heat can obscure the scene. The heat can make Mickey blurry (sometimes this looks cool and adds to the scene), and smoke can drift in front of the scene and cause problems, too. Challenging photography, indeed!
For example, with the photo above, I was in aperture priority with my aperture at f/2.8, my minimum shutter speed at 1/125th of a second, my minimum ISO at 100, and my maximum ISO at 6400. For most of the show, my shots were at ISO 5000 or above. However, for this shot, the ISO plummeted to ISO 360! That meant a photo with far less noise, but otherwise “ideal” settings. Unless I was ridiculously quick to change my settings, if I shot this in shutter priority, I would’ve ended up with a higher aperture (which wouldn’t have been a real benefit) and a higher ISO.
This is the main reason why I recommend aperture priority and auto ISO for Fantasmic! Hopefully with this information, you’ll be able to take great shots of Fantasmic, too. Just remember, you’re bound to get some (many) bad shots, so don’t get discouraged…just be ready for the dragon scene.
Overall, Fantasmic is an excellent show at every park at which it’s shown. While my personal favorite is Disneyland’s Fantasmic, they are all a ton of fun, and feature some gorgeous imagery and special effects. Seeing Fantasmic at Disneyland is difficult, as the show is incredibly popular and the seating area is very small. It’s less of a challenge at the other two parks. At all of them, it’s worth the time and effort. It’s also worth the effort to try photographing the show, as it looks gorgeous in photos!
Planning a Southern California vacation? For park admission deals, read Tips for Saving Money on Disneyland Tickets. Learn about on-site and off-site hotels in our Anaheim Hotel Reviews & Rankings. For where to eat, check out our Disneyland Restaurant Reviews. For unique ideas of things that’ll improve your trip, check out What to Pack for Disney. For comprehensive advice, consult our Disneyland Vacation Planning Guide. Finally, for guides beyond Disney, check out our Southern California Itineraries for day trips to Los Angeles, Laguna Beach, and tons of other places!
Your Thoughts
What’s your favorite viewing location for Fantasmic? Do you typically do the dining package, standby, or have a different strategy for seeing the show? Bummed that there’s no virtual queue for Fantasmic? Have you tried photographing Fantasmic? Any other tips you can offer? Hearing from you is half the fun of these articles, so share your thoughts and any other tips you might have in the comments!
This may sound totally random and a bit ridiculous, but is Fantasmic at the Adventure Park or at the Disneyland Park? We are only going to Disneyland for a day and only doing Disneyland. I’ve seen so much confusing information about where Fanstasmic really is!
If it is at the Adventure Park, is there soemthing at the Disneyland park that is similar that we could do?
Your blog is SO informative and greatly appreciative!
Thanks for your response ~
Laurie
Fantasmic is at Disneyland Park.
Tom,
They’ve also recently added dining packages and fastpass at Disneyland like they do for World of Color and Fantasmic! at WDW. I personally am looking forward to not having to wait hours before the show to be able to get a viewing spot, but I know the locals are not pleased.
The one part of Fantasmic, I always have issues photographing is the Pirate Ship Scene. Any tips for catching a good shot of the Columbia all decked out as that Pirate Ship?
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Great article! Thanks for the tips. I’m glad I found this (though I should have assumed when I searched “photographing fantasmic” that this would be the first site to pop up).
I had assumed I would have to treat Fantasmic like Wishes, which gave me a lot of concerns about shleping a tripod into an arena-style setting.
I have a Nikor 55-300mm on a D5100 body will that be sufficient for shooting the show?
Hi I just wanna say, these are pretty amazing ISO shots. I was wondering which Camcorder or ISO camera can RECORD the 25 minute show with managing to face the lights beaming towards the characters, and having to face such difficulties later on in video editing?
Sorry for asking so many questions for which you have already given answers in your July 23rd post and others. Read many of your posts till 3 a.m. last night. Going to B&H tomorrow to buy the tripod, head, the sigma 30mm f 1.4, the ND and polarizer filters, the 700 flash, for use with my current Nikon D80. Having trouble setting auto-ISO in the “A” aperture prioty mode with the 18-135mm zoom kit lens. Right now I only plan to use that lens for Fantasmic photography if at all. Maybe B&H will offer me a 200 mm (F2.8) at a great price. Hopefully they can show me what I am doing wrong. I don’t seem to be able to turn auto ISO on in the menu. Ken Rockwell has written that the Nikon D80 does great at ISO 1600. Camera does go up to 3200 ISO. As you stated most of your ISO settings for the Fantasmic show were at 5000 or higher. Don’t know if 3200 will be high enough at my minimum f 5.6 at 135mm at any shutter speed..
Decided not to buy the new water camera for this trip. Will try to learn how to make better use of my current Olympus 770SW for the underwater photograpy & video, water parks, rides etc. I have managed to purchase all but two of the photography books you recommended at Barnes & Nobles stores. I won’t have time to read many of them before next saturday. Instead I have opted to read and re-read your terrific WDW photography posts. Thank you so much for all your help. You have renewed my interest in digital photography. Especially when it comes to Disney. Again, my sincere thanks for giving me the courage to leave full auto mode behind.
My wife says if I deliver digital images equivalent to my Disney Kodachrome slide film ones, there may be a D600 and full frame lens in my stocking this year. Not to mention another trip to MVMCP.
I’m not sure how Auto-ISO works with the D80, if at all. I know it was a big evolutionary step forward with the D90, so I’m not sure whether the D80’s Auto-ISO is advanced enough to follow the recommendations in this post.
You’re definitely going to be pushing it for Fantasmic photography with the gear you have. I’d focus on the dragon scene (which will be bright, so no worries there) and just enjoy the rest of the show. Good luck!
Great post and just in time for our upcoming trip WDW. I have an old nikon D80 with a nikon AF-S nikkor 18-135 (f3.5 -5.6) kit lens. On our 2011 trip I found I had zero jpeg images for fantasmic.
I have always been afraid to go over 400 to 800 ISO settings. An old phobia from my ASA film camera days. I now know the D80 can go up to 3200 maximum ISO. Do you have any suggestions as to how I might get some decent fantasmic pictures with this equipment. Note that I did get some pretty good shots at an earlier date with the same equipment (Can’t remember how). Mostly of the finale and the characters on the boat. I am about go to B&H here in the city soon. I was planning on buying the new Sigma 30mm F 1.4 for dark ride and night time parade photography (Boo To YOU & MSEP, WISHES, Hallowishes etc). The old one is not around here any more. Newer version is about $499. I was also going to buy the recommended Olympus TG II underwater camera in hopes of getting some better pictures and video at the water parks and shark reef. Thought it might do well on Kali Rapids & water parks. Adding in a good tripod for the fireworks and I am about to spend around $1100 to $1300 on equipment for an outdated crop frame camera.
Am I spending to much on an old (crop) system? Should I be renting cameras and lenses instead? Ultimate goal is to get a D600 and go full frame in the future. I have read almost all of your photography articles. I have bought the fireworks E-book, Exposure and the Digital Photography book. I have booked the California Grill just to get out on the deck and shoot the fireworks. Going to the MNSSHP twice. I have invested a lot of time in reading and hopefully learning how to take better photos at WDW. Am I making the right decisions with the $1000 to 1300 bucks I am about to spend on equipment? So many questions and so little time I know. We leave in seven days. No need to write another entire post for me. What do you suggest.
Thanks for the great tips, Tom, especially with modes, range of shutter speed and ISO, and settings! I’m going to try these next time I go to Disneyland to photograph FANTASMIC! Those character shots are great!
Thanks for the tip for the extreme novices! Sports mode it is. At least I can enjoy the awesome pics here no matter what.
What kind if low light pictures could one expect at f 5.6 and ISO 6400 and 1/100th? I can’t quite afford those nice 2.8 zoom lenses and have a d5100 which is good but not great at high ISO.
Also, I have found sitting too close to the front you can get very wet which makes for a pretty difficult and uncomfortable photo experience!
If you’re using the Auto ISO method (which you should), you’ll find your shutter speed dropping below 1/100th a lot (it’s not an absolute floor), but you should still get some good stuff, especially during the brighter scenes. You’ll have some noise, too, but in many scenes it shouldn’t be too bad.
Great article here Tom. Just a novice photographer here and I appreciate your detailed information for people with the beginner’s three lenses. We are headed back to Disneyland this Christmas and am hoping to rent the 24-70f/2.8L. I’ve never shot with an L lens and am hoping for good things. I will try to use your techniques to shoot Murphy with my 55-250. Thanks again.
Mike
No problem. As tempting as it’ll be to use that 24-70, I’d stick with the 55-250, unless you’re right at the front or only want to shoot the Murphy scene.
Any tips for best seating at WDW ?
We just saw this a few days ago. As you enter, CMs herd you to one side (house left). If you see that side is filling up too far to the end for your taste, stand on the side (or back) and wait until the open the second side (house right). The seats you have now are right next to the center (dinner package reservations). If you have the dinner package, plan on being squished in, regardless of what time you get there. People who paid for it WILL pick that section even if there are better seats available elsewhere (and there were). We sat one section away and had room to either side of us. Hope that helps.
Awesome, thanks for the information on this!
As a current Walt Disney World cast member I can confirm that the dinner package seats are no longer over to the far side, but are indeed in the center of the the theater.
Awesome! Thanks for the heads up on this. I’ll update the blog post when I have a chance.
Thanks for the post! I was thinking about this subject earlier today. How timely!
I’ll be going to Disneyland next month and I have some new equipment to try out. It will be my first opportunity to photograph Fantasmic! with my new DSLR and I’m pretty excited to try my hand at such a difficult show to shoot.
However, I would like to get your opinion on which lens I should use. Obviously the 30mm f/1.4 Sigma, although fast, is too wide. Given your suggestion for a zoom I have two zooms to choose from but neither are “perfect” for Fantasmic!…
– Tamron 17-50mm f/2.8
– Sony 75-300 f/4.5-5.6
The Sony has the range. The Tamron has the aperture. Which would you suggest I try using. I’m leaning towards the 17-50mm f/2.8. Thanks!
In looking at photos from our recent trip, I have 0 from Fantasmic! that were taken in the 17-50mm range. I was using the 28-300mm, and many of my shots were @300mm. I only have a couple that were less than 70mm, and quite a lot in the 150mm range. You’re going to be doing some serious cropping if you use the 17-50mm. The aperture on the 75-300mm is a drawback, you’re right, but I think that’s the lens to use.
Ok! Thanks for the reply! I’ll give it a shot.
Looking back at some pics I took in the past on my Sony NEX with the kit lens makes me realize how useful 300mm can be.
The best seats I ever had for Fantasmic! were from the balcony of the Dream Suite. 😉
I would agree with what Tom stated….I used my 18-55 at Disneyland and I wish I had used my 55-250. I chose the shorter lens because it had a better aperture but it would have been better to have the better zoom.
From what I’ve read, the dining package seating is now in the center of the theater instead of the far right side.
These photography tips are great, and include things that my amateur brain doesn’t think about, like metering. Tips like these may seem second nature to you, but are an easy, small change that make a big difference for me.
I have read that DHS’s Fantasmic seating has changed, but I can’t verify or remember where I saw it. It was that the right hand section is now FP+, and the dining packages are now somewhere else, like left of center. Not sure if this is accurate, or maybe just a possible change for the future.