This review features real world sample photos from the Rokinon 12mm f/2.8 fisheye (which is also sold under Samyang, Bower, Pro-Optic brands), my thoughts on the lens, and side-by-side comparison images to the Zenitar 16mm and Rokinon 8mm fisheye lenses. This is the new full frame fisheye built by Samyang Optics, and while it is technically a budget fisheye lens, its ~$500 price point puts it nearly in line with regular third party brands. The question for this review is thus whether this glass can command the premium price. Given the stellar performance of the Rokinon 8mm f/3.5 fisheye, I was optimistic that it could…or I wouldn’t have bought it in the first place.
Before we get to the substance of the review, a little background is in order. I think this is the first review to be posted of the new Rokinon 12mm f/2.8 fisheye, so I’m guessing some of you reading this might be “regular” photographers, and not the normal audience of crazy Disney enthusiasts who frequent this site. As such, you might be wondering why there is a review for a fisheye lens on a Disney fan site and why you should trust my opinion.
The review is here because Disney Parks photography is one of my favorite hobbies; my family will tell you that under no circumstances should you trust my judgment. However, I have tested or owned every major fisheye lens for Nikon mount cameras in recent memory, and I have reviews on this site (click each name to open the review in a new tab) of the Rokinon 8mm f/3.5 fisheye, Zenitar 16mm f/2.8 fisheye, and Sigma 15mm f/2.8 fisheye. I’ve also used but have not (yet) reviewed the Nikon 10.5mm f/2.8G Fisheye Lens, the Sigma 10mm f/2.8 Fisheye Lens, the Tokina 10-17mm Fisheye Lens, and the Nikon 16mm f/2.8 Fisheye Lens. None of this precludes me from having awful opinions about fisheye lenses, but at least now you know I have some experience with them. Suffice to say, I love shooting with fisheyes.
As is the case with all of my photography reviews, this is a “real world” review, meaning that it’s based on my use of the lens in the regular course of taking photos in the field, not arbitrary photos in a sterile lab. Some people have an affinity for photographing lab charts and pixel peeping at 100%, but I’m not one of those people. I have an affinity for photographing landscapes and environments I find beautiful, and I see more value in how the lens actually performs in such scenarios, and how edited photos from the lens actually look.
With that said, let’s take a look at this Rokinon 12mm f/2.8 fisheye lens, how it stacks up to its competitors, and whether it’s worth the price… (more…)