Few people have inspired the Imagineers as much as Jules Verne. With attractions, restaurants, and entire lands at Walt Disney World, Disneyland, Disneyland Paris, and Tokyo DisneySea, the famed French author’s intellectual property has been used in the parks more than anything not now belonging to Disney.
Chief among these is Mysterious Island, which is arguably the pinnacle of themed design not just at Tokyo Disney Resort, but in the entire world. We’ve referenced it countless times on the blog, drawing favorable comparisons between it and new lands in the U.S. parks like Pandora World of Avatar at Animal Kingdom, Cars Land at Disney California Adventure, or Star Wars: Galaxy’s Edge.
While “intellectual property” is now a pejorative term among some Disney fans, that’s precisely what Mysterious Island is–a modern IP land that paved the way for a variety of successors around the globe at Disney and Universal theme parks in the nearly two decades since its debut. In this post, we’ll share Mysterious Island photos and commentary, discussing why it’s still the gold standard for such a land…
For starters, some quick background. Mysterious Island is Jules Verne’s second Disney theme park land, with the first being Discoveryland at Disneyland Paris. Other various incarnations of Tomorrowland feature components that are overtly inspired by Verne, but not to the exclusion of other ideas and concepts.
Outside of Tokyo DisneySea, several attractions are either inspired by the works of Jules Verne or feature him as a character. These include Space Mountain: De la Terre Á la Lune (Disneyland Paris), Timekeeper (Magic Kingdom, Disneyland Paris, and Tokyo Disneyland), Horizons (EPCOT Center), and 20,000 Leagues Under the Sea (Magic Kingdom).
When looking at Mysterious Island on paper, it’s not that impressive. It has two rides, a couple of counter service restaurants, and a gift shop. In this sense, it’s also the modern predecessor to Cars Land, Star Wars: Galaxy’s Edge, Pandora, etc.
However, viewing Mysterious Island on paper does a huge disservice to Mysterious Island, because–like those other lands–it’s so much more.
Everywhere you look, Mysterious Island oozes detail, and you really feel as if you’re in the midst of a harbor that serves as a base camp for explorations.
Because the big picture is so jaw-dropping, it’s easy to overlook the little things that the Imagineers so deftly nailed with Mysterious Island.
There’s also the even bigger picture in terms of themes and motifs, which can get lost in the entertainment and beauty of Mysterious Island.
Mysterious Island perfectly showcases humanity’s attempt to conquer nature, harnessing and harvesting resources, and some of the fun…and folly of that.
Mysterious Island examines the fine line between exploration and exploitation. Some components reveal the simple beauties and discoveries that can be made during research; others lay bar the consequences of pilfering nature.
Unlike something like Pandora, which is more overt about its message, this is mostly subtext in Mysterious Island. It’s apparent if you’re analyzing the port, but no one is going to step off the thrill ride featuring an encounter with a Lava Monster thinking, “that was fun but preachy.” Mysterious Island is not that obvious about its intentions.
Approaching the port of Mysterious Island, the first thing you see is Mount Prometheus, the wienie of Tokyo DisneySea. Think of this active volcano as the park’s version of Cinderella Castle. Just as that icon can be seen from virtually anywhere in Tokyo Disneyland, so too can Mount Prometheus in Tokyo DisneySea.
Moreover, just as Cinderella Castle the whole park’s icon but still most closely associated with Fantasyland, same goes for Mount Prometheus and Mysterious Island. Although here the nexus between Mysterious Island and the park’s icon is even stronger; it’s an instrumental backdrop to the other ports of call, but substantively essential to Mysterious Island.
A full article could be written on the brilliance of Mount Prometheus alone.
The same could be said for each of the attractions, its gift shops, drinking fountains, restrooms, merchandise carts, and more. (Not kidding, the merchandise cart between Mysterious Island and Mermaid Lagoon is seriously brilliant.)
We’re going to focus here on the bigger picture, and circle back later for posts with more detail about the specific attractions and other offerings. (Full disclosure: I was missing Tokyo DisneySea this weekend and got carried away, “accidentally” editing over 200 Mysterious Island photos for this post. I cannot use all of them in one post, so follow-ups are pretty much necessary.)
The detail, design, and layout all set the appropriate mood as you leave the other ports and enter Mysterious Island.
Even the background music, which in the main walkways is little more than eerie notes and whistling wind, and lighting work to make Mysterious Island feel like a real place just off the edge of civilization.
As the central port of call in Tokyo DisneySea, Mysterious Island directly connects to three of the park’s other areas (Mediterranean Harbor, Mermaid Lagoon, and Port Discovery).
Each entrance is equally brilliant and impressive, with a reveal reminiscent of going through the rock arch from Pacific Wharf to Cars Land.
Since Mysterious Island is set within a caldera enveloped by Mount Prometheus and structurally reinforced by the crew exploring it, every entrance is an opportunity for a rock-work reveal.
From my perspective, the best of these is entering from Mermaid Lagoon as it entails the best view, passing under a bridge for the port’s flagship attraction, and beautiful natural details. However, almost every visitor will enter for the first time via Mediterranean Harbor.
Within this central area, known as Vulcania Caldera, are two attractions (20,000 Leagues Under the Sea and Journey to the Center of the Earth), two restaurants (Vulcania and Nautilus Galley), a gift shop (Nautilus Gifts), and a glorious snack stand (Refreshment Station).
Now let’s try to gain a bearing on the layout of Mysterious Island, entering from Mediterranean Harbor…
To the immediate right of the port’s entrance is the FastPass distribution area for 20,000 Leagues Under the Sea. This area is directly above load for the attraction, which you can see in the image above.
This is easily the best FastPass distribution spot in the world, and it is frequently closed due to FastPass not being needed for the attraction. That’s downright criminal given the beauty of this corridor.
Across from that, the spiral staircase that is one of the port’s most identifiable features leads down to 20,000 Leagues Under the Sea.
At the top of this spiral area, you’ll see Captain Nemo’s own personal mini-sub, the Neptune, hanging from a crane.
Wait times for 20,000 Leagues Under the Sea are frequently under 15 minutes on weekdays, which is why FastPass is often unnecessary.
Unfortunately, for this same reason, so too is the extended queue for the ride. This contains the Captain’s Study, Control Station, and Dive Hatch areas. While cool, this queue cannot touch Journey to the Center of the Earth’s (silver lining?).
The ride vehicles for 20,000 Leagues Under the Sea are identical to the Neptune hanging above. These mini-subs seat up to six adults at three different windows, each having a different view into the attraction.
Thus begins the dark ride, as the subs plunge “underwater” taking guests through iconic scenes from 20,000 Leagues Under the Sea, including the ship graveyard, lost city of Atlantis, and into a climactic encounter with a giant squid.
Throughout the ride, Captain Nemo is communicating to you in Japanese. This is probably the biggest instance of a language barrier at Tokyo Disney Resort, but as with Tower of Terror, it’s very easy to ascertain exactly what’s happening based upon the visuals. You just don’t know some of the story specifics and precise dialogue.
In other words, the language barrier is no barrier at all when it comes to enjoying Tokyo Disney Resort.
This restaurant originally served as a geothermal station carved out of the volcano by Captain Nemo. It has since been converted into a mess hall that serves the island’s crew.
Sticking with restaurants, from Vulcania you can see the Nautilus on the other side of the caldera. The submarine looks identical to the Harper Goff design that appeared in Magic Kingdom through the 1990s, and is permanently docked.
The Nautilus dock marks the seating area for Nautilus Galley, the counter-service restaurant (it’s really more an elaborate snack stand) that is home to the iconic gyoza dog.
This snack is so popular that it was actually relocated down here from the Refreshment Station at the edge of of Mysterious Island. While I don’t know for sure, I suspect that’s because lengthy lines for the gyoza dog were impeding crowd-flow.
Either way, the gyoza dog is fantastic–a must eat item at Tokyo DisneySea. But I digress…
Doubling back to the Mediterranean Harbor entrance and instead turning left instead of right (and staying inside Mount Prometheus), we’d approach Journey to the Center of the Earth.
This is the port’s flagship attraction, and one of the most popular at Tokyo Disney Resort.
The queue for Journey to the Center of the Earth is incredible. It takes you through caverns strewn with office desks and lab materials where Captain Nemo and his crew have been studying their excavations.
Then, guests take a terravator deep “down” beneath the surface of the earth.
There’s more queue once you get to the load area, with several monitoring stations. You get the impression that you’re about to go on a dangerous expedition deeper down where the crew has previously been.
Everything is makeshift but in a very substantial in a ‘spare no expense’ sort of way. Like what John Hammond would’ve built if he were obsessed with geology instead of dinosaurs.
The ride vehicles are known as Subterranean Vehicles, powered by steam with plow-like attachments on the front.
Technology-wise, the ride system is similar to that used in Test Track at Epcot, Radiator Springs Racers at DCA, and the defunct Rocket Rods at Disneyland.
The attraction takes you through several different areas deeper and deeper below the earth, Crystal Caverns to a Mushroom Forest inhabited by creatures that look a tad like Skippy from Alien Encounter, and more.
The first three-quarters of the attraction are sublime, and exactly what I was hoping for from Na’vi River Journey.
Things become more tense, and you suddenly are face to face with the screeching Lava Monster, who also looks a bit like the captured creature from Alien Encounter…and is even more pissed off.
You are near him for a few seconds, and he is spectacular. Your Subterranean Vehicle then shoots up a short section of track and the ride is over.
Journey to the Center of the Earth is often lauded as the best Disney attraction in the world.
It is awesome, no doubt, but I disagree. Admittedly, I was a bit letdown after my first ride. I was expecting this to be the end-all, be-all of Disney rides, and…it’s not. I’ve come to love over time with subsequent ride-throughs (it’s immensely re-rideable), and it’s now my #2 ride in Tokyo DisneySea, but still probably not in my top 10 worldwide. That’s probably another topic for another day–even if it’s outside my top 10, Journey to the Center of the Earth is deserving of its own post.
One thing that’s really impressive about Mysterious Island that doesn’t receive enough attention is its brilliant use of space.
This port is surrounded on every side by Tokyo DisneySea’s other ports of call. It does not have gigantic show buildings hidden backstage. Instead, it uses a multi-level approach to make clever economy of space. This is presumably no easy task when building on reclaimed land.
This is one way Mysterious Island dramatically differs from both Star Wars: Galaxy’s Edge and Pandora – World of Avatar.
Both of those are sprawling spaces, which also have large backstage areas for show-buildings. The argument could be made that they have a bit too much wasted space, not taking full advantage of their acreage. (A critique that’s more true of Galaxy’s Edge, and might’ve been done deliberately for crowd-control purposes.)
By contrast, every square foot of Mysterious Island is utilized brilliantly.
Everywhere rich visuals or details that reinforce more about the story or the port’s theme and motifs. It’s truly remarkable and there’s a reason it resonates so well with guests despite being devoid of characters (well…mostly).
Suffice to say, when it comes to Mysterious Island, the whole is definitely more than the sum of its parts. Even with photos, it may not be as impressive “on paper” as it is in reality.
When exploring the multi-sensory and fully-dimensional version of Mysterious Island in person, it’s absolutely mind-blowing.
All things considered, Mysterious Island is the objectively-best port of call at Tokyo DisneySea. In fact, it’s up there as one of Disney’s best themed lands in the entire world. New Orleans Square at Disneyland is probably its closest competition in that regard, but Mysterious Island edges out most of its newer intellectual property-based counterparts.
From the marquee attractions to the clever use of space and spare no expense details–even the food is delicious. Mysterious Island is a masterpiece of Imagineering, and while other lands have iterated upon the idea and some individual attractions have surpassed it, Mysterious Island is still the gold standard.
Not that it ultimately matters, but Mysterious Island is still not my personal favorite port at Tokyo DisneySea. Even with all of that effusive praise, I’m not even sure Mysterious Island is even my second-favorite. It’s definitely at least my fourth-favorite in the park (and in my top 10 worldwide), which says less about this perfect port and more about the uncontroverted brilliance and roster depth of Tokyo DisneySea, the best theme park in the world.
Have you experienced Mysterious Island in person? Where would it rank for you in terms of Disney’s lands? Do either Journey to the Center of the Earth or 20,000 Leagues Under the Sea make your top 10? Do you think this port is more than the sum of its parts? Anything else you love/hate about it? Think it’s not a masterpiece and is actually overrated? Do you agree or disagree with our commentary? Any questions? Hearing your feedback–even when you disagree with us–is both interesting to us and helpful to other readers, so please share your thoughts below in the comments!