Best World of Color Viewing Spots, Dining Packages & Photo Tips
This post details the best views of World of Color, why I do not recommend the dessert party or dining package, and tips for taking great photos of the show. As a Disneyland local, I’ve seen World of Color 40+ times in the last 6 years from every possible vantage, and this is my regularly updated guide based on my experiences watching it.
For starters, World of Color is a fountain-based nighttime spectacular at Disney California Adventure. It’s the best nighttime spectacular at Disneyland Resort, in my opinion. There have now been several version of World of Color, including the original, Winter Dreams, Celebrate, and Season of Light. The original is once again the version of World of Color being shown, with Season of Light being performed during the holidays.
Since the show debuted, the best World of Color viewing spots has been a hot topic online. This is understandable, as the show remains incredibly popular and dining packages, FastPass, and frequently changing seating “zones” make it difficult to comprehend just how World of Color seating works. As mentioned above, we will give you tips to get the best view of World of Color…and do so without buying a dinner package or dessert party.
Although World of Color – Season of Light is a different show than the original, all of the advice contained in this guide applies to all versions of the show. In other words, if you’re planning a Christmas trip, these tips also work. This article is best read with the World of Color soundtrack playing, so fire it up and let’s get started…
Best World of Color Viewing Spot
Within Paradise Park, not all spots are created equal. I’m not going to spend a ton of time dissecting all of the spots within Paradise Park, because I have a clear favorite and I think once you’ve seen the show from that spot, it’s tough to watch it anywhere else in Paradise Park. Plus, after that spot, I think the differences between other locations isn’t all that significant.
My favorite spot in Paradise Park is the front row. More specifically, at the edge of the zone that extends farther out into Paradise Bay (if you can’t visualize that, it’s where R6 and Y5 meet on this map).
Please note that Disney California Adventure tweaks the viewing areas from time to time. Since this map was created, DCA has stopped distributing red Fastpasses, and that zone has become yellow. Still pretty much the same idea.
Since the front row R6/Y5 spot became my go-to spot, I’ve been able to snag it almost every time I watch World of Color. To get it, you need to get a FastPass, preferably for the last showing of World of Color (if that’s not what’s being distributed, ask a Cast Member for a later FastPass). This is important because the last show is significantly less crowded than the first one, so it will be easier to get a spot here.
FastPass order is blue, then yellow. This is because conventional wisdom says blue is the “best” view, and while that can be true, I disagree. I think the yellow zones average out to the best view. With that said, the easiest way to get to my preferred viewing spot where red meets yellow (on the map above) in the front row is by scoring a yellow FastPass (the easier FastPass to get!), arriving early to the yellow zone entry area by Golden Zephyr, and entering as close to the water side of the boardwalk as you can. Keep walking until you can’t walk any farther. Bingo, you should have a front row spot at the edge of red and yellow.
We usually return to view the show about 20 minutes before it starts, walking right up to the FastPass return. If you don’t get a yellow FastPass, you might have a more difficult time navigating the sea of ropes that potentially block your path to this area. If this happens, just wander until you get to the front boardwalk. There are ropes up all over the place, making this a veritable maze, so if you encounter these ropes or a Cast Member who won’t let you proceed, turn around and try going the other direction.
Eventually, you should be able to make your way down to the front without issue. I’ve seen every version of Word of Color numerous times, and this remains my pick for the absolute best viewing location.
Other World of Color Viewing Spots
The further back you go, the less immersed in the show you’ll feel. However, on the plus side, you will be able to see the projections better. In fact, I think the optimal view of the projections is actually all the way back outside of Paradise Park, with your back almost against the Little Mermaid dark ride building. We watched from this location once, and I was surprised at just how much more clear the projections looked.
I’m of the opinion that the water and other effects matter more than the projections, but if you care more about them, you might want to consider a spot in Paradise Park near the back. Had “Glow with the Show” caught on, I might feel differently about the view further back, but unfortunately, it didn’t.
Assuming you forget to get a FastPass or don’t want to view from Paradise Park, there are a few other options. The first of these is becoming more and more popular, and that’s the bridge to the boardwalk side of Paradise Pier. It seems like you used to be able to grab these spots at the last minute, but now this spot requires a little advance planning.
We recommend getting here about 30 minutes in advance if this is the spot you want. I like this spot for photography because you get a great view of the fountains without any obstructions, and also can include the crowd watching World of Color from Paradise Park as a bit of a human element. The only real downside to this spot is that you’re viewing the projections from the side, so they don’t look as good.
Continuing further towards the boardwalk, the best place in the park to actually sit and watch World of Color is Cove Bar. This one requires even more advance planning, as there are only a few tables at the edge of the water view, and they’re popular. The last time we viewed World of Color from here, we arrived about an hour and a half in advance. The biggest strength of this spot is that you can eat Lobster Nachos and have a beer while enjoying World of Color.
Although medical professionals were initially concerned that people might OD on awesomeness if they simultaneously consumed Lobster Nachos and watched World of Color, scientists have since confirmed that it is safe to do both at the same time. So you can rest easier. In terms of the view, its strengths and weaknesses are similar to the bridge location above. The view of the projections is slightly worse from here, though.
Paradise Pier’s Boardwalk on the benches in front of California Screamin’ is another option. We don’t really care for this location, but if you want a peaceful spot and all you care about is the fountains, this area is solid. You won’t be able to make out many of the projections, and the audio is not as good back here.
As far as photography goes, I think this spot isn’t good because you lose Mickey’s Fun Wheel as an anchor to the photos (the best you can get is the side of it…and then you can see its infrastructure, as above). Again, we don’t recommend this spot, but if you really hate crowds, it might have appeal.
One final wild-card location is the viewing deck from Disney’s Grand Californian Hotel. This spot is only for guests of the hotel and requires a room key to access (it used to be only for guests staying on Disney Vacation Club points, but on our last non-DVC stay, our room keys worked for access).
I know this location is not going to be an option for most of you, but even many hotel guests don’t know about this location, so it’s worth including as a “reminder” of sorts on the off-chance that you’re staying there. Last time we were up here, we were literally the only ones on this deck. The view isn’t perfect, but it’s unique and there are no crowds!
Dining Packages & Dessert Party
This may lead you to ask, what about a World of Color dining package or the dessert party? Neither are bad options, but I wouldn’t waste the money. If you want the best view of World of Color, follow the tips above.
With that said, both the dining package and dessert party offer excellent, centered views of the show. The dessert party is directly behind what I label as the best view, and it’s on an elevated platform. The upside to this is that you’ll have more elbow room, won’t get wet (if that bothers you), and will be able to enjoy desserts while you watch World of Color. You’ll also have seats; whereas everywhere else you stand to watch World of Color.
The biggest downside is that the World of Color dessert party is currently $80 per person. That’s a lot of money. The other downside (if you don’t mind getting wet) is that this view is far less immersive than the front row. Because of this, I do not recommend the dessert party unless money is no issue, you really hate standing, or really love desserts.
Seriously, I cannot stress watching from the front row enough. After watching World of Color from the front row, I gained a much greater appreciation for the show, and now it’s a must-see from that location. World of Color is much more about the visuals than it is about storytelling, so having the best view of these visuals is the key to enjoying it.
The dining packages also involve paying a premium for a meal at Carthay Circle Restaurant, Ariel’s Grotto, or Wine Country Trattoria and getting a FastPass for the reserved viewing area. The view for the dining packages is typically elevated and adjacent to the dessert party (albeit without actual seats), but you can also go for front row in pretty much the dead center. (The front “Y5” area is also green “D1.”)
If you’re already planning on doing a large meal at one of those 3 restaurants, upgrading to the World of Color dining package might offer peace of mind, but I really don’t think it’s in any way advantageous. If you get to Disney California Adventure before noon, you can easily get a FastPass for the red zone and have just as good of a view without the dining package.
World of Color Photography Tips
Like Fantasmic, World of Color has multiple elements that call for different approaches to photography. In my Fantasmic Photography Guide, I indicated just how difficult it is to photograph Fantasmic. Fortunately, unlike Fantasmic, it’s generally fairly easy to get halfway decent photos of World of Color. Still, to get the quality of photos in this post, you do need good equipment and technical knowledge of manual settings.
For point and shoot users or DSLR owners without that technical knowledge, my best recommendation is to put your camera in “landscape” or “night landscape” mode (the names may vary based on the camera you’re using, but they should sound something like those). Night landscape mode is the better option, but you need to hold your camera as steady as possible if using this mode. If, after a few shots, you find that you’re getting a lot of blurry photos, switch to landscape mode.
The following assumes a working technical knowledge of camera settings and the elements of exposure. I highly recommend reading Understanding Exposure by Bryan Peterson (and other photography books) and coming back if the paragraphs that follow don’t make sense to you.
For DSLR users, the first question is going to be whether or not to use your tripod and remote shutter release. A lot of photographers do not use a tripod for World of Color, and I think that’s a mistake. The reasoning behind not using one is that the projections are moving, so you need a fast shutter speed to freeze them, and with a fast shutter speed, slight camera shake isn’t an issue. This assumes that you’re most concerned with the projections, and I don’t think that’s the right emphasis. Countless Disney shows have projections–they’re old news. World of Color’s strength is its huge fountains and dancing water.
You’ll notice that almost none of the photos in this article highlight the projections, and that’s because I think the best photos of World of Color focus on the vibrant fountains of water. The projections can make for good photos, but more often, they distract from the fountains. Plus, with a tripod you can experiment with longer exposures like the photo below (my long exposure experiments with World of Color have been largely unsuccessful). Depending upon the direction of the wind, you may get soaked. I always put a camera poncho on my DSLR when I photograph the show from here, and usually wear a poncho, too.
You’ll want to use a wide angle lens or possibly even a fisheye lens if you’re in my recommended spot. If you’re farther away, you might consider a mid-range zoom, but chances are a wide angle will still work. I usually use my Nikon 14-24mm f/2.8 or my fisheye lens from the front of the house.
I’ve toyed with using a mid-range zoom before for abstract close-ups of the water fountains, but I’ve never been satisfied with the results. If this is your first time photographing World of Color, you’ll definitely want to go for the wide angle shots.
As for what mode to use, I again advocate the “aperture priority/auto ISO” method from the Fantasmic Guide. In this case, you have more wiggle room, though. Another alternative here that works just as well as going into manual mode, setting your aperture and shutter speed, and then using auto ISO. I do this fairly often, as I’m usually not concerned about increasing my shutter speed when possible.
This is because using a slower shutter speed for these fountains doesn’t negatively affect the photos. Sure, you won’t ‘freeze’ the water, but who cares? The benefit to slowing the shutter speed down a bit is that it allows you to stop down your aperture a bit and also decrease your ISO. Since World of Color is a nighttime show, it is dark during the show, so without a slow shutter speed, your ISO will definitely be in “noisy” territory.
As for specific shutter speed, I recommend somewhere between 1/50th of a second and 1 second for your “minimum” if using the aperture priority/auto ISO method. At the faster end of these speeds, you will be able to freeze the projections, but your ISO will be over ISO 1600. At the slower end of these speeds, the projections won’t be crisp, but you won’t have noise, and the fountains will still look great. My most common shutter speed when photographing World of Color is around one-quarter of a second. I think this is the sweet spot–maybe slightly faster.
For aperture, I like to stop down just a bit. If you’re using a wide angle lens, this isn’t necessary from a depth of field perspective, but it does help make your images sharper. My Nikon 14-24mm f/2.8 lens is sharp wide open (I still stop it down a bit), but my fisheye doesn’t hit its sharpest until about f/8.
This should keep your aperture below ISO 800 for most of the show, which is good. For metering, I go center-weighted with an exposure compensation of around -1. It’s easier to bring out shadows than it is to recover highlights, which is my reasoning for this. Beyond that, I prefer a dark sky in my World of Color photos (it’s one of the few situations where I don’t try to bring out the blues in the nighttime sky when post processing).
I think that looks better and better emphasizes the color in the fountains. I’ve seen many photos where the photographer tried to have a deep blue night sky in their World of Color shots, and to me, the photos have looked fake and over-processed. Just a personal preference there, though.
The final tip with regard to photography is the most important, and it can almost nullify the whole first section. The absolute best time to photograph World of Color is during its “post-show.” This lasts almost three minutes, and if you watched World of Color in Paradise Park, you should rush down to the front for this show. Everyone else will be leaving, so you will pretty much have the place to yourself (note the lack of people in the above photo!). You might be wondering why, given the relatively small fountain streams for most of the show. The reasons are the great mix of color in the fountains during this post-show, the high ‘bursts,’ and the light illuminating the boardwalk of Paradise Pier.
I highly recommend watching this video (it doesn’t spoil the show like a full video would) before photographing World of Color to memorize the music cues that occur just before the jets ‘burst’ up. The photo below was taken at one of these moments. These moments make for the absolute best photos of the show. If you only take away one thing from this article, it should be this tip. It’s that important!
Hopefully that all doesn’t seem too complicated. Really, shooting World of Color is quite easy once you get the hang of it. Sarah can easily capture good photos of it with her iPhone, and if an iPhone camera is capable equipment for this, any real camera is, too! If for some reason you aren’t able to capture your own, you can always borrow one of our World of Color Facebook Cover Photos! 😉
If you’re interested in improving your Disney photography, check out a few of my top photography blog posts:
Photography Buying Guide: Everything from Underwater Cameras to Software
Best Books for Improving Your Photography
5 Indispensable Tips for Better Vacation Photos
Choosing the Best Travel Tripod
Choosing the Best Camera Bag for Travel
If you’re preparing for a Disneyland trip, check out our other planning posts, including how to save money on Disneyland tickets, our Disney packing tips, tips for booking a hotel (off-site or on-site), where to dine, and a number of other things, check out our comprehensive Disneyland Vacation Planning Guide!
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Your Thoughts…
Any World of Color tips you have to add? Will you be photographing World of Color sometime in the future? Do these tips seem helpful to you? Hearing from you is half the fun of these articles, so share your thoughts and any other tips you might have in the comments!
Hi Tom, I have a couple of questions, hope you can help me.
First of all, sorry if there are any typos or grammatical mistakes, English isn’t my first language.
We are planning to go to DLR on Thursday September 14th and Saturday 16th this year. On the 14th there won’t be any nighttime shows on both parks (I believe they’re closing early to get everything ready for Halloween Time; DCA at 5:00 PM & DLP at 8:00 PM); we can’t go on Friday 15th since we have tickets for Halloween Horror Nights at Universal that night.
So, our plan is to do, on Saturday, all 3 nighttime show as it follows: Fantasmic! at 9:00 PM, Remember… Dreams Come True at 9:30 PM and World of Color at 10:15 PM. My questions are the following:
1) Is there a way to get FP for the 10:15 PM (2nd one) show of WOC? I believe that is you rush in the morning to get them you’ll get for the 9:00 PM one. But I wonder if I can get for the second one.
2) DAC closes at 10:00 PM that day, If we get 5 minutes before closing, will they let us get in? Or if we do get FP and get there by 10, will they let us get in?
3) This is regarding the photography tips. I have a Canon EOS Rebel SL1 (crop sensor, APS-C) and a EF 50mm f/1.8 lens. Which values would you recommend? I also have the EF-S 18-55mm lens that comes with the camera (f/3.5-5.5). Would you recommend that one instead of the 50mm? (I’m asking because I don’t know if the 50mm will give me enough space of the frame.
I think that’s all. Thank you very much in advance.
PS: I you could give me Photography Tips for the other 2 shows I’ll be great too.
Guillermo
So excited!! I have created a cheat sheet using all of your recommendations for 1 day trips/fast passes…we’ll be there for 3 days but we’re commando park goers, we want to ride the thrill rides at least 3x…and well, we’ve never been to WDW in summer…so DL in August will put our goals to the challenge, but with your well-laid out plan, we have a fighting shot 🙂 Our kids are 18-22, and last went to DL when they were 1-4 🙂 Zero memories for them, so we’ve got to make up for it 🙂
I won’t say money is *no* object, but I find the WoC Dessert Party is worth my dollars for the uncrowded, seated, viewing with a great angle on the show. (OK, maybe I’ll try the front-row wet zone one trip on your recommendation…but I suspect the dessert party will win out the next time.) Yes it’s pricey for the one alcoholic drink, cheeses and bread, and desserts, and while the desserts are generally better than the other Disney dessert parties I’ve been to, there have been a few quality problems on my visits. However, by the evening of a busy day at Disney, my feet just aren’t up to the standing pre-show wait (and they do make you stand when the crowds start to fill in) then the show itself, so I value that seat at a table in the viewing area pretty highly.
THIS IS SUPER HELPFULL. So, when you say ask a cast member for a later fast pass, who? Anyone? Or will there be someone at the Grizzly River Run?
Thanks for an amazing article! My husband and I went there just this summer with the family, and we had an absolutely amazing time. We went on the rides, ate all sorts of food, and had an absolute blast. My husband thinks he’s a photographer, but he ended up messing up the camera settings so we couldn’t get any pictures! Fortunately, we heard from a friend about this company called AdoramaPix that takes all the photos for us, and make a photobook for us. It was really quite nice. If any of you guys are in a tight pinch, definitely would check them out. Here’s the website we used to save our butts!
http://clickitupanotch.com/2015/12/disneyland-photography-tips/#comment-156436
Thanks for a great article and tips. We went for the first time in middle of the week the first week of November (supposedly Ghost town) and got a Blue fast pass. People started lining up over an hour before the show so I jumped in and we got a decent view, but we are hoping to go back next week on Thursday Dec 1 and want to see the holiday version. I was considering the wine country dining option for preferred viewing. I know from above you don’t think it’s worth it, but we have 2 young kids (5 and 2) and it stinks to wait over an hour for a spot (I know wrong time and place to be then … ) so I was wondering if getting the dining option would allow us to get to the show a little later than the people with fast passes? And it looks like we can still get front row that way, correct? We will only be at DCA on Thursday so it will be a packed day to get everything we want in – just trying to maximize time. Thanks in advance!
Jessica
Where in he park do we obtain the fast pass for WOC? TIA
They’re distributed at the Grizzly Rapid Run FastPass station.
Hello I was looking at your map. I use a wheelchair. What would be the best spot for that so I can see something. Is getting the dinning package worth it. Or would I see just as good getting a fast pass. Thanks PS you pictures are beautiful.
We are off to see WOC in a couple weeks. This is my first time with the DSLR which you and Michael Greening helped me decide on a few years ago.
We have the dining FastPass option so I should have a decent shot of getting in the recommended area.
However, I have a question about lenses for the show. I do not have a wide angle, only a 35mm 1.8, 18-55 kit lens and 55-300 kit lens. Is the 35MM my best option for shooting the show?
Tom,
I live in San Diego and have an Annual Premium Passport to the parks. I also write and do the photography for my weekly newspaper and online lifestyle column called AutoMatters+ (archived at: http://www.delmartimes.net/staff/jan-wagner/).
I love photography and have been working at developing my skills as a photographer since I first had and extensively used a camera (a Kodak Instamatic 100).
Like you, I now primarily shoot with Nikon (pro) DSLRs, although I also use my iPhone 6 when I am out and that is all that I have. Much of what I shoot is during the daytime (one of my specialties is auto racing), so my experience shooting at night in challenging lighting conditions is very limited.
Your how-to article for shooting “World of Color” is brilliant. Occasionally I have taken one of my Nikon DSLRs to “World of Color” but have been less than fully satisfied with the results. Now, thanks to you, I have some good, solid tips about where to shoot from and what manual camera settings to use.
One question I often have is whether or not to use Auto ISO, which is usually my preferred setting in daylight or in less challenging nighttime conditions. I always had a problem when the Capt. Jack Sparrow pyrotechnics went off. With my camera set for shooting the water show, the flames were totally blown out and unrecoverable. I also have this problem at the finale of fireworks shows — especially if they include pyrotechnics, like at the Saturday night twilight show at the Miramar Air Show in San Diego. The best I can do in these situations is try to have the presence of mind to spin the exposure compensation down — if, in the dark, I can find the controls for doing that while I am trying to shoot before everything is over.
I miss the old “World of Color” show. I really liked its music and movies sound track, and its “World of Color” projection at the end. I hope that they bring that show back after the Diamond Celebration show ends. Have you heard anything about their plans for that?
Another question that I have for you is whether or not you have encountered cast members (and Security before even getting into the park) who tell you that no tripods are allowed — and, if so, what do you do?
FYI at the 24-hour day over the Memorial Day Weekend, I had set up my iPhone on a “selfie stick” to shoot video of the new “Paint The Night” parade at Disneyand. A couple of hours before the parade began, I had carefully attached the stick to a fence railing at the very back of the viewing area. It was not in anyone’s way, and several cast members had seen and were okay with my doing that, but a few minutes before the parade started a supervisor (red jacket) came up to me and told me that I had to take it down. His expressed reasoning was that if I did that, others would see and do likewise.
I am very much looking forward to finding, studying, and applying your other tips for nighttime photography at Disneyland and DCA, as well as for shooting fireworks in general.
Thank you.
Jan
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Hi,
I see the post saying the Carthay Circle Dining package (for show viewing) is Okay. Would you recommend dining to get the special viewing tickets in general and specifically for our large group.
Or would it be better for us to just get a fast pass?
If you are going to eat there anyway, go for it. Under no circumstances would I dine there specifically for the reserved viewing. You can get a great view with regular FastPasses.
Thanks much! A little extra insight is VERY helpful! Outside of a WDW trip 6 yrs ago I haven’t been to Disney since the pre California adventure era 🙂 I was a little shorter then 🙂
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Hi Tom!
Absolutely LOVE your photos and concepts!
I am going to Disneyland in May and really looking forward to using some of your ideas! 🙂
Quick question – WHERE did you get that Mickey DSLR strap??!! (last photo with Sarah). Am VERY interested!!! 🙂
Thanks again for sharing your talent!
That strap is from eBay. Have fun at Disneyland! 🙂
What are your thoughts now that you have gone…we are going in April and curious about Fastpass vs Dining and best spot for 5 year old AND 12 year old 🙂 Thanks for tips!
Our favorite new spot is just behind B7 on your map. There is a brown area (a planter) and we stand stand against that railing. Great fairly central view and as you say, very clear projections from farther back.
I love these Disney-specific photography guides. I just wanted to second the idea that if you aren’t front and center, incorporating the crowd can be really cool. One of my favorite WoC shots that I’ve taken has the silhouette of a child wearing an ear hat on his father’s shoulders (taken before glow with the show)….
I’ve seen some really amazing shots that incorporate the crowd. I’ve only tried it once, but I think there’s so much potential there!
We did the dinner at Carthay Circle – World of Color Dining Package and I believe it was well worth it. After dinner, we were escorted to a roped off viewing area near the front where there was only one other couple present. It was a roomy and “front row of our section” view (near the front) which made for a very memorable experience. It was also our first time viewing the show! Later on our trip we watched from the Grand Californian Balcony. Very different but a great perspective of the whole park.
I think the Carthay reserved seating is the same as it was when we went to Carthay last year, and those are pretty good spots. I still ended up moving from our reserved spots to the very front–you just can’t beat that absolute front row spot!
Is the photo of your wife at teh end with an on-camera flash to illuminate her?
FWIW, we saw it just at the edge of Y1 2 nights in a row (front row first night) and I thought that was a great location. Night 2 we weren’t in the front row and I wanted to go down to R6 but my wife veto-ed it.
Probably used the Nikon SB-400 on Sarah’s camera for that shot, but I’m not sure (my camera is on the tripod she’s next to, she just wanted a photo of her with World of Color in the background).
It’s very rare for Sarah to stand right up against the rail with me. That area is fairly wide (and rarely crowded), and she’ll usually sit down against the start of the next section so she doesn’t get (as) wet.
How do you handle focusing? I hate to waste time or miss something because the camera loses it and starts hunting. I normally get everything set, focus, then pop it into manual focus. Seems to work okay, but is it the best option?
I just leave my auto-focus on, but the best practice if using a tripod would be to manually focus (set it and forget it). There’s usually so much light and color during the show that I’ve never had any issues with my camera hunting for focus.
First of all, your photos are stunning. Absolutely incredible!
I saw World of Color twice last October. The first time I was up against the rope in the front row (didn’t get wet!) and thought it was wonderful. On my last night in DCA I stood in the back along The Little Mermaid building and it seemed like a totally different (and equally wonderful) show. As you state, being up front immerses you in the show, but being in the back gives you the whole picture. So I say try both! I think I slightly preferred standing in the back, but only because I had seen it in the front row first, if that makes any sense. Being in the back was more emotional for me, for whatever reason.
I can’t wait to go back.
Interesting thoughts–it’s always good to get a different perspective on things. Maybe we undervalue the projections?